Filmmaker Terry Zwigoff, who has known Crumb for over 25 years and has played music with him as a member of the Cheap Suit Serenaders, shot the film over the course of six years.
Crumb documentary movie#
The movie aims for broader subject matter, to discover something about the role art plays in the life of the artist, and about how the release of art may, indeed, allow the artist to function as a stable human being. Though Crumb is packed with information and telling details, the movie's objective is hardly art history or a survey of Crumb's place in the world of comics. The movie tells us a lot about Crumb's artwork - about its style, its history, its roots, and its repercussions. In fact, that's how this documentary starts out, with Crumb caustically reviewing his most famous creations: the ubiquitous Keep on Truckin' guy, the ever-randy Fritz the Cat, and the sensational album cover for Janis Joplin's recording debut, Cheap Thrills. Even if you're not familiar with his name, I guarantee you're familiar with some of his images.
Crumb: master cartoonist of the underground comix world. Visit the World of Little Nemo Artist Winsor McCay: Three Classic Animations and a Google DoodleĪyun Halliday is a feminist and a long term Robert Crumb fan.R. The Inscrutable Imagination of the Late Comic Artist Mœbius Record Cover Art by Underground Cartoonist Robert Crumb
Crumb documentary free#
You can find The Confessions of Robert Crumblisted in our collection of 55o Free Online Movies. One hour with Crumb and you may find yourself spending the next two or three on esoteric topics ranging from James Gillray to Harry Roy and his Bat Club Boys. He also reveals himself as a lifelong learner, avidly researching his non-flesh-related passions. As social maladroits go, he’s not afraid to wear a lampshade on his head. One might even say he plays it up in goofy staged bits, such as the one where he dons a lab coat to examine the powerful rear and kidney bean-shaped pelvic tilt of an impassive model clad in 80s-style Jane Fonda Workout wear. The talking heads are minimized and the extended family kept to the shadows, but he’s frank about the erotic preoccupations that figure prominently in his work and have raised more than a few feminist hackles over the years. (“And I guarantee we won’t earn an extra dollar as a result of this wonderful exposure,” Aline adds in a word bubble, an observation the Crumb blog gives the lie to, nearly twenty years out.)īut in terms of what he was willing to own up to on camera, Crumb the screenwriter is far from a shrinking violet. Fame for Crumb is a monster-making drain on creativity. Their objections ultimately lay with the notoriety the film would confer on them.
It’s still a lot of fun though, perhaps more so for having been scripted by its main attraction.Ĭrumb and his wife, fellow cartoonist, Aline Kominsky Crumb, were uneasy with Zwigoff’s portrayal, a reaction they documented in Head for the Hills!, a jointly authored, two-page comic in the New Yorker. Unless you’re a virgin to the subject, The Confessions of Robert Crumb, a BBC doc whose release predated that of Zwigoff’s definitive portrait by seven years, will contain no major revelations. Crumb, may consider themselves fairly conversant in both the art and the offbeat existence of the vintage-record-revering sexual adventurer and self-proclaimed wimp.īut does a traveler pass up the opportunity to visit Paris simply because he’s been there once before? Anyone who’s seen Crumb, Terry Zwigoff‘s 1994 documentary about underground comics legend, R.
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